Friday, October 30, 2009

When Art History goes Bad


Damien Hirst's dead butterfly wing-covered bicycle, 2009

Horatio Greenough, George Washington, marble, c. 1840

Frank Gehry, Ray and Maria Stata Center, Cambridge, MA, 2004

Thanks to Joyce Youmans and the rest of the crew at local Atlanta outfit, Burnaway.org, I recently discovered a clever new blog to add to my blogroll. Nicole Jordan is an art history graduate student who is a self-proclaimed "art history nerd who likes to complain," which makes her ripe for the job of blogging about When Art History Goes Bad. Although you may not agree with all of her gripes, most of them are hard to refute. Take for example Damien Hirst's dead butterfly wing-covered bicycle on which Lance Armstrong finished the 2009 Tour De France, Horatio Greenough's semi-nude statue of our nation's founding father, or Frank Gehry's Ray and Maria Stata Center on MIT's campus. Although her examples could fill a book, Jordan doesn't stop at bad works of art, she discusses exorbitant price tags at auction, highly inflated artist's egos, and influential critics (who shouldn't have been).

I could spend all day reading her blog. Her ideas are humorous, her writing is clever, and after all, she is an art historian.

Wednesday, October 14, 2009

Sarah Hinckley: Color Logic


Hinckley, "sunsets come", watercolor on paper, 11" x 7.5"

Hinckley, "listen to the melody", watercolor on paper, 11" x 7.5"

Hinckley, "breathing", watercolor on paper, 15" x 10"

This Friday night, the gallery will be hosting NYC-based Sarah Hinckley's solo show, Color Logic. The show runs from October 16th - November 25th with an Opening Reception Friday from 7 - 10 pm and an Artist Talk Saturday at 12- 1 pm in conjunction with the Westside Arts District "3rd Saturday" Walk.

Drawing inspiration from a spring show at the Metropolitan Museum of Art, Pierre Bonnard: The Late Interiors, Hinckley began further exploration of multi-color relationships. Painting from memory and through emotion, Hinckley's process is grounded in her appreciation of line, her automatic response to gesture, and most importantly, the logic of color.

If you are in Atlanta, please stop by the gallery from 7 - 10 pm and join us in welcoming Sarah to Atlanta for the first time. Please RSVP here.

I hope to see you Friday!